A high school boy once told me, "Your eyes are so navy, they're almost black, except when you've been crying. Then they're pretty." I've thought of this random, throw-away comment EVERY TIME I've gone out in public post-crying for twenty years. (So not thaaat often; I'm not much of a crier. I'm more apt to grab a pen or a baseball bat than a tissue, but nonetheless, EVERY TIME it applies, I hear it.) We're all walking around with these long-ago-spoken, unsolicited remarks, whether we're aware of them or not -- the compliments, insults, back-handed-something-or-others that burrow in our brain, crafting one brick in the complex building of Moi. In early story development, writers are tasked with creating characters' unique lists. What did someone say about her voice, her hair, her height, the way she ate, the way she laughed, the way she walked, the way she didn't hesitate to speak her mind... until she did? What remarks -- lovely, encouraging, innocuous, seemingly innocuous, confusing, annoying, hurtful, detrimental, dangerous, cruel, trajectory-changing -- does she still hear? Do we still hear? Do we still serve up like a pastry or a poison to the characters in our lives? As writers, we're most interested in the slippery, conflicted, strange ones. The ones that linger, in part, because they're puzzling. (Did he want me to cry?) #amwriting #writinglife #abbeyclelandlopez #writeon ...